Paintings

    • Dialogue, the room without windows, 2019

    • Dialogue, the room without windows, 2019

      638 x 638 inches, Acylic on Canvas

    • An old man, 2019

    • An old man, 2019

      32 x 40 inches, Acylic on Sekushu Japanese paper

      An old man I saw in Taiwan was no longer seen there. Every morning he's prepared morning dishes and waited for someone as I see him, he said.

    • Erste Frau (First wife), 2019

    • Erste Frau (First wife), 2019

      32 x 40 inches, Acylic on Sekushu Japanese paper

      My first work using Sekishu Japanese paper from Shimane prefecture. What should I say besides "first wife"? This, which is called the strongest in Japan, is very robust and difficult to handle. However there is a ton of charm.

    • Welcome, 2018

    • Welcome, 2018

      18 x 18 inches, Oil on Canvas

    • Premonition, 2018

    • Premonition, 2018

      12.5 x 16 inches, Oil on Canvas

    • Non Title, 2018

    • Non Title, 2018

      21 x 21 inches, Oil on Canvas

    • The Laid Man, 2017

    • The Laid Man, 2017

      18 x 18 inches, Oil on Canvas

      First, He was certainly laid by someone, but has kept it for a long time, that term makes him quiet and soothing. The change brings expection and fear, however the human can get used to the situation. Then they're afraid next changes.

    • The Thinking Man, 2017

    • The Thinking Man, 2017

      18 x 18 inches, Oil on Canvas

      He realizes he was not alone. However, people need to intentionally put oneself so sometime. If I mention to him, please linten with half an ear to what his shadow says.

Installations

"Contemporary art PADDLE 2018" on July 18th, 2018 at Takada Gallery in Mie, Japan

"FACES" as Main Artist on June 8th, 2017 at 4 West 43rd St in New York

Wood Collections

I consistently depict the deepest emotions and expressions of the human heart. When drawing a chip of wood, I emphasize the roughness of the bark. And when drawing an illustration, I capture the soft features with a minimalistic touch.

    • The man who has given up on anger, 2017

    • The man who has given up on anger, 2017

      6 x 8 inches, Oil on Wood
      At 4 West 43rd Gallery in New York

      He shared a room in north Harlem with a man who sold suspicious goods. Somewhere inside, he looked down on him, but because they were related, he felt they had the same blood flowing through them. At the same time, he knew he felt disdain for that part of himself.

    • The happy man

    • The happy man, 2017

      6 x 8 inches, Oil on Wood
      At 4 West 43rd Gallery in New York

      He looks very happy right now. He doesn’t talk much, and says things indirectly. He’s sick of using words, but at the same time he can’t express himself physically. Nevertheless, he seems to be very happy right now.

    • The man the glass eye

    • The man the glass eye, 2017

      6 x 8 inches, Oil on Wood
      At 4 West 43rd Gallery in New York

      The side of his face with the shadow, on the viewer’s right, is a glass eye, and when he moves the other eye they point in different directions. But he can see through anything with his clear glass eye, so there are no liars around him.

    • The softly smiling Himba woman, 2017

    • The softly smiling Himba woman, 2017

      6 x 8 inches, Oil on Wood
      At 4 West 43rd Gallery in New York

      She accepts everything for what it is. She’s managed to keep the reddish-brown color in her eyes and hair and she’ll never lose her smile.

    • The man from Valparaíso Bay, 2017

    • The man from Valparaíso Bay, 2017

      6 x 8 inches, Oil on Wood
      At 4 West 43rd Gallery in New York

      A Chilean man who continued his family business. His life probably won’t change, nor does he want it to. But perhaps a sudden surprise may visit, bringing a small change into his life.

    • The man who has lost much, but knows, 2017

    • The man who has lost much, but knows, 2017

      6 x 8 inches, Oil on Wood
      At 4 West 43rd Gallery in New York

      He has seen and experienced terrible things growing up, but things are different now. While he still feels anger, time has softened that, and now all that remains in his expression is the anger he was able to accept.

    • The man whose eyes are always open, 2017

    • The man whose eyes are always open, 2017

      6 x 8 inches, Oil on Wood
      At 4 West 43rd Gallery in New York

      Because of his high sensitivity and high-class upbringing, he is constantly surprised by the world. He has abnormally strong defensive instincts.